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Showing posts with label crosspost. Show all posts
Showing posts with label crosspost. Show all posts

Friday, July 17, 2015

How Pluto Got Its Name | Smart News

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The New Horizons probe is currently approaching Pluto. The mission's images and data will reveal new landmarks on the tiny, icy body along with important information about its moons. There's even a public and scientific debates over what to name those moons going on right now. 

But, how did the enigmatic dwarf planet get its own name?

Clyde Tombaugh first captured snapshots of Pluto in February of 1930 at Lowell Observatory in Flagstaff, Arizona. At the time, the planetary body was known only as “Planet X,” but it quickly became a topic of lively discussion among the public and the astronomy community.

On the morning of March 14, 1930, Falconer Madan, a former librarian at the University of Oxford’s library, was reading a newspaper article about the discovery to his 11-year-old granddaughter, Venetia Burney, over breakfast, David Hiskey explained for Mental Floss in 2012.  Madan mused that he wondered what the planet might be called, and Venetia chimed in, “Why not call it Pluto?” The name of an underworld god seemed appropriate for a celestial body orbiting the cold, dark reaches of space.

Burney recalled her inspiration in 2006 interview with NASA:

I was fairly familiar with Greek and Roman legends from various children's books that I had read, and of course I did know about the solar system and the names the other planets have. And so I suppose I just thought that this was a name that hadn't been used. And there it was. The rest was entirely my grandfather's work.

Madan mentioned the suggestion in a letter to his friend Herbert Hall Turner, an Oxford astronomer. Turner happened to be attending a meeting of the Royal Astronomical Society, where many speculated about the naming of “Planet X.” Turner thought that Burney’s choice was fitting, so he telegraphed colleagues at Lowell Observatory with the following message:

Naming new planet, please consider PLUTO, suggested by small girl Venetia Burney for dark and gloomy planet.

Other potential names included Kronos, Minerva, Zeus, Atas and Persephone. Upon Burney’s death at the age of 90 in 2009, William Grimes wrote for the New York Times, “Unbeknownst to Venetia, a spirited battle ensued, with suggestions flying thick and fast. Minerva looked like the front runner, until it was pointed out that the name already belonged to an asteroid.” In May 1930, Burney’s suggestion won a vote among astronomers at Lowell Observatory, and from then on, the far-flung “Planet X” was known as Pluto.

Burney’s story has been well documented in the popular press, so it’s probably not too surprising that New Horizon carries an instrument named in Burney’s honor—a camera designed by students at the University of Colorado, as Chris Crockett reports for Science News for Students. As the probe flies through space, the camera measures dust particles to help scientists learn about the mysterious environment beyond Neptune.

image: http://thumbs.media.smithsonianmag.com//filer/78/45/7845bdf4-9b4b-42de-9400-1d3222794d12/new_horizons_sdc_edit.jpg__800x450_q85_crop_upscale.jpg

nullNew Horizons carries an instrument called the Venetia Burney Student Dust Counter.(NASA/LASP )

 

NASA - Transcript: The Girl Who Named Pluto

Interview With Venetia Burney Phair

 

Hi, this is Edward Goldstein with NASA Public Affairs. I'm talking to Venetia Phair, the lady who 76 years ago had the distinction of suggesting the name for Pluto, the newly discovered ninth planet. Venetia is currently a retired school teacher in Epsom, England.

At NASA we're very excited because next Tuesday, hopefully, we're going to launch the first robotic mission to Pluto. And given that you had the historic role of naming the planet, I wonder if you are quite excited about that?

Yes I certainly am.

Venetia, can you tell us a little bit about the circumstances that happened in 1930 that brought you to suggest the name of Pluto?

Yes, I don't quite know why I suggested it. I think it was on March the 14th, 1930 and I was having breakfast with my mother and my grandfather. And my grandfather read out at breakfast the great news and said he wondered what it would be called. And for some reason, I after a short pause, said, "Why not call it Pluto?" I did know, I was fairly familiar with Greek and Roman legends from various children's books that I had read, and of course I did know about the solar system and the names the other planets have. And so I suppose I just thought that this was a name that hadn't been used. And there it was. The rest was entirely my grandfather's work.

And your grandfather (Falconer Madan) was a librarian I understand who had a lot of friends who were astronomers.

That's exactly right. He was retired He had been Bodleian's Librarian, which is the head librarian in the Bodleian at Oxford, which is the university library of course.

And he suggested the name to the astronomer Herbert Hall Turner, who then in turn cabled the idea to the American astronomers at the Lowell Observatory. Is that correct?

That is correct, yes. Professor Turner had been Astronomer Royal in the past and was a professor at Oxford. On the day it was suggested-my grandfather dropped a note to him-he was, on that day, attending a meeting in London of the Royal Astronomical Society. They were all thinking about names, but for some reason, none of them thought of Pluto.

And you thought about it because of the Greek and Roman mythology about Pluto being the god of the underworld?

I don't think…I doubt if I was as subtle as that. I just thought it was a name that hadn't been used so far, and might be an obvious one to have.

And was it also because the first two letters PL have a connection with Percival Lowell?

No, I certainly didn't realize that or appreciate that at the time. But I quite see it would be a major factor in their deciding it would be a good name. And it is certainly appropriate.

What happened once the planet was named? I understand it was named in May of 1930. Were you thrilled when you heard that your suggestion was the one; that Pluto would be the name?

Yes, I certainly was thrilled. It was very exciting for a small girl really at the time.

How were you informed about it?

I think my grandfather told me. I'd heard nothing you see. I'd just really forgotten about it for the intervening months. But he was fairly active.

Was there any great fanfare when the name was announced?

Well not…to a limited extent. I think the newspapers were mostly occupied by the exploits of the woman pilot Amy Johnson at the time (Amy Johnson was the pioneering English aviatrix who in May 1930 became the first woman to fly solo from Britain to Australia). Anyway, there was a certain amount…you know a few papers I think. My grandfather collected any information there was through a press agency and put it into two scrapbooks that I have, which I treasure, and from which I can refresh my memory at times.

Well we hope you have that scrapbook out next week when we launch New Horizons.

Yes, I expect so. What I know is, I've just been by the way sent rather a nice little badge by Johns Hopkins University, which I think is probably the badge I would have been wearing if I'd been able to go to the launch. So I think I'll wear it from now until after the launch.

Wonderful. Now I understand your great uncle Henry Madan named the moons of Mars Phobos and Deimos. So you come from a family of people who name heavenly bodies?

Yes, I think that is one of the nicest things about the whole story. I'm so very pleased because he had done that from a much more knowledgeable base that I came upon the name Pluto. It's all been very nice for me really.

I would imagine so. Have you ever seen Pluto through a telescope?

I don't think I have. I've just seen a photograph of Pluto, I think the first photograph that Clyde Tombaugh was looking at, and the next picture showing that the same little pinpoint had moved a certain degree. I have been to Flagstaff, and they were very kind. And they showed us around and they showed us the telescope through which it was first seen.

Did you ever meet Clyde Tombaugh?

No, never, sadly.

Did you ever correspond with him?

No.

I understand that some school kids here in America recently corresponded with you from the St. Mary's Episcopal School in Memphis. That must have been nice.

Yes, it was a great joy. I quite suddenly had 62 letters. I think they all sat down, all the eight and nine year olds, with instructions to write a letter to me. This must have been an English essay or something. But they were very charming letters. And I enjoyed each and every one of them.

Do people in your home town know you have this role in history?

Not to any great extent. Some of them may know because I believe that the BBC when it does it's coverage of the launch, which I'm sure will be fairly thorough, may slip in a bit, a small interview with me. But on the whole, it doesn't arise in conversation and you don't just go around telling people that you named Pluto. But quite a lot of friends know and are interested.

You mean you've never had that temptation at a holiday gathering to tell your friends that?

Well not really, but sometimes it's nice, sometimes I'm glad to have them know.

What if anything would you like to tell all the scientists and engineers and all the people who worked on this New Horizons mission? What would you say to them?

I would say, I think, "The best of luck." And I can only hope that they discover all that they want to discover from this probe which must be one of the most exciting things that has happened astronomically recently.

When you look back at your life, isn't it exciting that there you were an 11 year old school girl who named this planet, and we've come so far technologically that now we can send a spacecraft all this distance in the solar system to this planet Pluto?

Yes, it is absolutely amazing, but it is paralleled by almost everything that has happened in the world, hasn't it. I mean we have stepped so far into the future as it were since the 1920's and 1930's. It leaves one absolutely stunned.

Do you like to look up at the stars?

Very much. Sadly it gets increasingly difficult to (do this). It's so well lit around here that only the brightest stars really get a look-in unless we have a power outage of course. But occasionally if one is in the country, and it is a good clear night, it is absolutely wonderful.

Now I understand you were a teacher. What did you teach?

I taught economics, which had been my subject in university and a little elementary math.

And at no time had you ever told your students that you had named Pluto?

I don't think so. No. It didn't really come to mind much. There had been years and years when I never really thought about it. I think its only since Patrick Moore wrote an article in Sky and Telescope in 1984, and I should think that since then there has been an increasing amount of interest in it, especially in America, which has been delightful for me because as one gets older one's horizons narrow. And it's been very nice have to have say these letters from St. Mary's in Memphis, or this chat right now shall we say.

It's been very nice for you to talk with us too. And on behalf of NASA we really thank you for your enthusiasm and all you've done to help advance the exploration and discovery of the universe around us.

Well that's very nice of you. I have my kind invitation from NASA, and I treasure that too. I shall put it on the mantelpiece, I think, conspicuously, to look at. And I just wish everybody concerned with the launch that the whole thing will be the success that they hope.

Wednesday, July 15, 2015

The Great Smartphone War: Apple Vs. Samsung

 

For three years, Apple and Samsung have clashed on a scale almost unprecedented in business history, their legal war costing more than a billion dollars and spanning four continents. Beginning with the super-secret project that created the iPhone and the late Steve Jobs’s fury when Samsung—an Apple supplier!—brought out a shockingly similar device, Kurt Eichenwald explores the Korean company’s record of patent infringement, among other ruthless business tactics, and explains why Apple might win the battles but still lose the war.

On August 4, 2010, amid the bustle of downtown Seoul, a small group of executives from Apple Inc. pushed through the revolving door into a blue-tinted, 44-story glass tower, ready to fire the first shot in what would become one of the bloodiest corporate wars in history. The showdown had been brewing since spring, when Samsung launched the Galaxy S, a new entry into the smartphone market. Apple had snagged one early overseas and gave it to the iPhone team at its Cupertino, California, headquarters. The designers studied it with growing disbelief. The Galaxy S, they thought, was pure piracy. The overall appearance of the phone, the screen, the icons, even the box looked the same as the iPhone’s. Patented features such as “rubber-banding,” in which a screen image bounces slightly when a user tries to scroll past the bottom, were identical. Same with “pinch to zoom,” which allows users to manipulate image size by pinching the thumb and forefinger together on the screen. And on and on.

Steve Jobs, Apple’s mercurial chief executive, was furious. His teams had toiled for years creating a breakthrough phone, and now, Jobs fumed, a competitor—an Apple supplier no less!—had stolen the design and many features. Jobs and Tim Cook, his chief operating officer, had spoken with Samsung president Jay Y. Lee in July to express their concern about the similarities of the two phones but received no satisfactory response.

After weeks of delicate dancing, of smiling requests and impatient urgings, Jobs decided to take the gloves off. Hence the meeting in Seoul. The Apple executives were escorted to a conference room high in the Samsung Electronics Building, where they were greeted by about half a dozen Korean engineers and lawyers. Dr. Seungho Ahn, a Samsung vice president, was in charge, according to court records and people who attended the meeting. After some pleasantries, Chip Lutton, then Apple’s associate general counsel for intellectual property, took the floor and put up a PowerPoint slide with the title “Samsung’s Use of Apple Patents in Smartphones.” Then he went into some of the similarities he considered especially outrageous, but the Samsung executives showed no reaction. So Lutton decided to be blunt.

“Galaxy copied the iPhone,” he said.

“What do you mean, copied?” Ahn replied.

“Exactly what I said,” Lutton insisted. “You copied the iPhone. The similarities are completely beyond the possibility of coincidence.”

Ahn would have none of it. “How dare you say that,” he snapped. “How dare you accuse us of that!” He paused, then said, “We’ve been building cell phones forever. We have our own patents, and Apple is probably violating some of those.”

The message was clear. If Apple executives pursued a claim against Samsung for stealing the iPhone, Samsung would come right back at them with a theft claim of its own. The battle lines were drawn. In the months and years that followed, Apple and Samsung would clash on a scale almost unprecedented in the business world, costing the two companies more than a billion dollars and engendering millions of pages of legal papers, multiple verdicts and rulings, and more hearings.

But that may have been Samsung’s intent all along. According to various court records and people who have worked with Samsung, ignoring competitors’ patents is not uncommon for the Korean company. And once it’s caught it launches into the same sort of tactics used in the Apple case: countersue, delay, lose, delay, appeal, and then, when defeat is approaching, settle. “They never met a patent they didn’t think they might like to use, no matter who it belongs to,” says Sam Baxter, a patent lawyer who once handled a case for Samsung. “I represented [the Swedish telecommunications company] Ericsson, and they couldn’t lie if their lives depended on it, and I represented Samsung and they couldn’t tell the truth if their lives depended on it.”

Samsung executives say that the pattern of suit-countersuit criticized by some outsiders misrepresents the reality of the company’s approach to patent issues. Because it is one of the largest patent holders in the world, the company often finds others in the technology industry have taken its intellectual property, but it chooses not to file lawsuits to challenge those actions. However, once Samsung itself is sued, the executives say, it will use countersuits as part of a defense strategy.

With the Apple litigation, the fight isn’t over—opening statements for the most recent patent lawsuit, which asserts that 22 more Samsung products ripped off Apple, were heard in the U.S. District Court in San Jose, California, on April 1. While both sides have grown weary of the litigation, court-ordered settlement talks have failed. The most recent attempt took place in February, but the two sides soon reported to the court that they could not resolve the dispute on their own.

No matter the financial outcome, Apple may well emerge from the legal wrangling as the loser. Two juries have found that Samsung did indeed plot to steal the iPhone’s appearance and technology, which is why a California jury, in 2012, awarded Apple more than a billion dollars in damages from Samsung (reduced to $890 million in late 2013 after the judge found that some of the calculations were faulty). But, as the litigation drags on, Samsung has grabbed an increasing share of the market (currently 31 percent versus Apple’s 15.6 percent), not only by pumping out “Apple-ish, only cheaper” technology but by creating its own innovative features and products.

“[Samsung] transitioned to a higher level of competition than they were at at that time, and I think part of that was a result of them having to fight this battle with Apple,” a former senior Apple executive says.

It was really just another page from the Samsung playbook, used many times before: When another company introduces a breakthrough technology, muscle in with less expensive versions of the same product. And the strategy had worked, helping the Samsung Group to grow from almost nothing into an international behemoth.

Patents Pending

Samsung was founded in 1938 by Lee Byung-chull, a college dropout and the son of a wealthy Korean landowning family. When Lee was 26, he used his inheritance to open a rice mill, but the business soon failed. So it was on to a new endeavor, a small fish-and-produce exporting concern that Lee named Samsung (Korean for “three stars”). Over the years that followed, Lee expanded into brewing and then, starting in 1953, added a sugar-refining company, a wool-textile subsidiary, and a couple of insurance businesses.

For years, there was nothing in this conglomerate even to hint that Samsung would enter the consumer-electronics business. Then, in 1969, it formed Samsung-Sanyo Electronics, which a year later began manufacturing black-and-white televisions—an outdated product chosen partly because the company didn’t have the technology to make color sets.

By the early 1990s, though, the company seemed like an also-ran, after the economic boom in Japan had pushed that nation’s businesses, such as Sony, to the forefront of the technology world; for those even aware of it, Samsung had the reputation for churning out inferior products and cheap knockoffs.

Still, some Samsung executives saw a path for boosting profits by boldly and illegally fixing prices with competitors in some of their top businesses. The first products known to have been the focus of one of Samsung’s major price-fixing conspiracies were cathode-ray tubes (C.R.T.’s), which were once the technological standard for televisions and computer monitors. According to investigators in the U.S. and Europe, the scheme was quite structured: competitors secretly got together in what they called “Glass Meetings” at hotels and resorts around the world—in South Korea, Taiwan, Singapore, Japan, and at least eight other countries. Some of the meetings involved the most senior executives, while others were for lower-level operational managers. The executives sometimes held what they called “Green Meetings,” characterized by rounds of golf, during which the co-conspirators agreed to raise prices and cut production to receive higher profits than would have been possible had they actually competed with one another. The scheme was eventually exposed, and over the course of 2011 and 2012, Samsung was fined $32 million in the U.S., $21.5 million in South Korea, and $197 million by the European Commission.

The success of the C.R.T. conspiracy apparently sparked similar schemes. By 1998 the market for L.C.D.’s—a newer technology that used liquid crystal to create the image and competed directly with the C.R.T.—was taking off. So in November, a Samsung manager spoke with representatives from two of the company’s competitors, Sharp and Hitachi. They all agreed to raise L.C.D. prices, according to investigators. The manager passed the exciting information on to a senior Samsung executive, and the L.C.D. conspiracy grew.

In 2001, the president of Samsung’s semiconductor division, Lee Yoon-woo, proposed to executives at another competitor, Chunghwa Picture Tubes, that they raise the already rigged price for one type of L.C.D. technology, prosecutors said. The scheme was formalized during “Crystal Meetings.” Again, the executives gathered in hotels and on golf courses to set prices illegally. But by 2006 the L.C.D. jig was up. Rumors began circulating among the conspirators that one of the victims of their crime—a company they referred to by the code name NYer—suspected that the suppliers were rigging prices. And Samsung executives presumably feared that NYer could spark a criminal investigation by the U.S. government; after all, NYer—in reality Apple Inc.—was pretty powerful. Samsung ran to the Justice Department under an anti-trust leniency program and ratted out its co-conspirators. But that didn’t lessen the pain much—the company was still forced to pay hundreds of millions of dollars to settle claims against it by state attorneys general and direct purchasers of L.C.D.’s.

The decision to fess up to the L.C.D. scheme may not have been driven just by Apple’s suspicions. Samsung was already in law enforcement’s sights: sometime earlier a co-conspirator in another criminal price-fixing conspiracy had given up Samsung. That scheme, beginning in 1999, involved Samsung’s huge business for dynamic random-access memory, or DRAM, which is used in computer memories. In 2005, after it was caught, Samsung agreed to pay $300 million in fines to the U.S. government. Six of its executives pleaded guilty and agreed to serve sentences of 7 to 14 months in American prisons.

In the years since the price-fixing scandals, Samsung executives claim, the company has adopted major new policies to address potential legal and ethics problems. “Samsung has made tremendous advancements in addressing compliance issues,” says Jaehwan Chi, executive vice president of global legal affairs and compliance. “We now have a strong corporate compliance organization, with a dedicated staff of lawyers, a set of clear policies and procedures, companywide training and reporting systems. As a result, every single one of our employees today, whether they’re in the Americas, Asia, or Africa, are given compliance education on an annual basis.”

Still, the tales of misconduct at Samsung during the years before those changes involved more than price-fixing. In 2007, its former top legal officer, Kim Yong-chul, who made his name as a star prosecutor in South Korea before joining Samsung, blew the whistle on what he said was massive corruption at the company. He accused senior executives of engaging in bribery, money-laundering, evidence tampering, stealing as much as $9 billion, and other crimes. In essence, Kim, who later wrote a book about his allegations, contended that Samsung was one of the most corrupt companies in the world.

A criminal investigation in Korea ensued, at first focusing on Kim’s allegation that Samsung executives maintained a slush fund to bribe politicians, judges, and prosecutors. In January 2008, government investigators raided the home and office of Lee Kun-hee, the chairman of Samsung, who was subsequently convicted of dodging some $37 million in taxes. He was given a three-year suspended sentence and ordered to pay $89 million in fines. A year and a half later, South Korean president Lee Myung-bak pardoned Lee.

And what of the bribery claims? Korean prosecutors declared that they could find no evidence substantiating Kim’s allegations—a determination that stunned the former general counsel, since he had turned over a list of other prosecutors whom he said he personally helped Samsung bribe. Moreover, a Korean lawmaker claimed that Samsung had once offered her a golf bag stuffed with cash, and a former presidential aide said the company had given him a cash gift of $5,400, which he returned. Kim published his book in 2010, saying he wanted to leave a record of his accusations. Samsung responded to the book’s allegations by labeling it nothing but “excrement.”

Then there is Samsung’s countersuing strategy, which is legal but unattractive. At the start of 2010, the shareholder letter from Samsung Electronics’ president and chief executive Geesung Choi glistened with good news. The previous 12 months had been an unprecedented success, Choi said. Despite stiff competition, Samsung had become the first company in the history of Korea to post sales greater than $86 billion, while simultaneously achieving some $9.4 billion in operating profits.

Choi trumpeted Samsung’s commitment to innovation. “We maintained second place in the number of our U.S. registered patents in 2009, exceeding 3,611, and solidified our foundation to strengthen our next generation technology.”

What Choi left out was that Samsung had just suffered a huge defeat, when a court in The Hague ruled that the company illegally copied intellectual property, infringing on patents related to L.C.D. flat-panel technology owned by Sharp, the Japanese electronics concern. In a blow to Samsung, the court ordered that the company halt all European imports of the products that violated the patents. Around the same time as Choi was delivering his upbeat message, the United States International Trade Commission began blocking the importation of Samsung flat-screen products that used the pilfered technology.

Samsung finally settled with Sharp.

It was the same old pattern: when caught red-handed, countersue, claiming Samsung actually owned the patent or another one that the plaintiff company had used. Then, as the litigation dragged on, snap up a greater share of the market and settle when Samsung imports were about to be barred. Sharp had filed its lawsuit in 2007; as the lawsuit played out, Samsung built up its flat-screen business until, by the end of 2009, it held 23.6 percent of the global market in TV sets, while Sharp had only 5.4 percent. All in all, not a bad outcome for Samsung.

The same thing happened with Pioneer, a Japanese multi-national that specializes in digital entertainment products, which holds patents related to plasma televisions. Samsung once again decided to use the technology without bothering to pay for it. In 2006, Pioneer sued in federal court in the Eastern District of Texas, so Samsung countersued. The Samsung claim was thrown out before trial, but one document revealed in the course of the litigation was particularly damaging—a memo from a Samsung engineer stating explicitly that the company was violating the Pioneer patent. A jury awarded Pioneer $59 million in 2008. But with appeals and continued battles looming, the financially troubled Pioneer agreed to settle with Samsung for an undisclosed amount in 2009. By then, it was too late. In 2010, Pioneer shut down its television operations, tossing 10,000 people out of work.

Even when other companies have honored competitors’ patents, Samsung has used the same technology for years without paying royalties. For example, a small Pennsylvania company named InterDigital developed and patented technology and was paid for its use under licensing agreements with such giant corporations as Apple and LG Electronics. But for years Samsung refused to cough up any cash, forcing InterDigital to go to court to enforce its patents. In 2008, shortly before the International Trade Commission was set to make a decision that could have banned the importation of some of Samsung’s most popular phones into the United States, Samsung settled, agreeing to pay $400 million to the tiny American company.

Around the same time, Kodak also got fed up with Samsung’s shenanigans. It filed suit against the Korean company, contending that it was stealing Kodak’s patented digital imaging technology to use in mobile phones. Once again, Samsung countersued and agreed to pay royalties only after the International Trade Commission found for Kodak.

It was a clever business model. But everything changed when Apple introduced the iPhone, because Samsung wasn’t ready for the technology to advance so dramatically, so quickly.

The Purple Dorm

The Purple Dorm smelled like pizza.

Occupying a building at Apple’s headquarters, in Cupertino, the Dorm—so named because the employees were there 24-7 amid the ever present odor of fast food—was the site of the company’s most secretive undertaking, code-named Project Purple. Under way since 2004, the effort constituted one of the biggest gambles in the history of the company: a cell phone with full Internet, e-mail functions, plus a host of unprecedented features.

Executives had pitched the idea of developing a phone to Jobs for years, but he had remained a skeptic. There were already so many mobile phones on the market, manufactured by companies with a lot of experience in the business—Motorola, Nokia, Samsung, Ericsson—that Apple would have to develop something revolutionary to win a seat at the table. Plus Apple was going to have to deal with carriers such as AT&;T, and Jobs did not want another company dictating what his company could and couldn’t do. And Jobs also doubted the existing phone chips and bandwidth allowed for sufficient speed to give users decent Internet access, which he considered a key to success.

With Apple’s development of multi-touch glass, everything changed. The phone would be revolutionary. Apple design director Jony Ive had come up with cutting-edge mock-ups for future iPods, and they could be used as the springboard for how an iPhone might look. In November 2004, Jobs gave the green light for Apple to set aside the tablet project and go full force into developing the iPhone.

Secrecy, Jobs ordered, was paramount. Apple was already known as a tight-lipped company, but this time the stakes were even higher. No competitor could know that Apple was about to venture into the phone market, because it would then undertake dramatic redesigns of its own phones. Jobs did not want to compete with a moving target. So he issued unusual marching orders: No one could be hired from outside the company for Project Purple. No one inside the company could be told that Apple was developing a mobile phone. All of the work—design, engineering, testing, everything—would have to be conducted in super-secure, locked-down offices. Scott Forstall, a senior vice president named by Jobs to head up software development for the new phone, was forced by the restrictions to persuade Apple employees to join Project Purple without even telling them what it was.

The new team moved into the Purple Dorm, at first a single floor, but the space quickly grew as more employees came on board. To reach certain computer labs, a person had to pass through four locked doors, which opened with badge readers. Cameras kept constant watch. And right on the front door, to remind everyone of the importance of secrecy, they hung a sign that said, FIGHT CLUB—a reference to the 1999 movie Fight Club. The first rule of Fight Club, a character in the film says, is that no one talks about Fight Club.

A group of about 15 employees, many of whom had worked together for more than a dozen years, made up the design team. For brainstorming sessions, they gathered around a kitchen table inside the Dorm, tossing out ideas and then drafting designs in sketchbooks, on loose-leaf paper, on computer printouts. The ideas that survived team-wide critiques were passed on to the computer-aided-design group, which sculpted the sketch data into a computer-based model. Then on to three-dimensional construction, with the rough product turned back over to the design team at their kitchen table.

The process was used hundreds of times; as many as 50 attempts were made on a single button for the phone, according to Christopher Stringer, an industrial designer on the team. They wrestled with the details for the edge of the phone, its corners, its height, its width. One of the earliest models, code-named the M68, had the word “iPod” imprinted on the back, in part to disguise what the product really was.

The software engineering was equally complicated. Forstall and his team were looking to create the illusion that the user could actually reach through the touch-screen glass to manipulate the content behind it. Finally, by January 2007, Jobs was set to announce the new Apple phone in his keynote for the annual Macworld trade conference, in San Francisco, and everyone was anticipating a huge announcement.

Crowds lined up outside the Moscone Center the night before Jobs’s speech and, when the doors finally opened, thousands filed in as music from Gnarls Barkley, Coldplay, and Gorillaz filled the room. At 9:14 A.M., a James Brown song started, and Jobs strode onto the stage, dressed in jeans. “We’re going to make some history together today!” he said enthusiastically amid wild applause. He talked about Macs, iPods, iTunes, and Apple TV, and took a couple of shots at Microsoft. At 9:40 he took a sip of water and cleared his throat. “This is a day I’ve been looking forward to for two and a half years,” he said.

The room grew silent. No one could miss that a big announcement was coming.

“Every once in a while a revolutionary product comes along that changes everything,” Jobs said. “Today, we’re introducing three revolutionary products of this class.” The first, he said, was a wide-screen iPod with touch controls. The second, a mobile phone. And the third, a breakthrough Internet communications device.

“An iPod, a phone, and an Internet communicator. An iPod, a phone … ” he said. “Are you getting it? These are NOT three separate devices—this is one device! And we are calling it iPhone.”

As the crowd cheered, the screen behind Jobs lit up with the word “iPhone.” Beneath that, it read, “Apple reinvents the phone.”

In the weeks that followed, techies around the world joined the hallelujah chorus, singing the praises of Apple’s new device. But that opinion wasn’t shared by many of the longtime cell-phone manufacturers, who scoffed at Apple’s attempts to play with the big boys. “It’s kind of one more entrant into an already very busy space with lots of choice for consumers,” Jim Balsillie, then the co-C.E.O. of the company that manufactures BlackBerry phones, said in a typical comment. Steve Ballmer, the C.E.O. of Microsoft at the time, was even blunter. “There’s no chance that the iPhone is going to get any significant market share. No chance.” And Richard Sprague, then a Microsoft senior marketing director, said that Apple would never meet Jobs’s prediction of 10 million units sold in 2008.

At first, it seemed they were right. In the first nine months of fiscal 2008, sales were under half of what Jobs had predicted. But then—blastoff. In the final quarter Apple introduced the second-generation model, called the iPhone 3G; demand was so huge, it could scarcely restock the shelves fast enough. Apple sold more phones in those three months—6.9 million units—than it had for the previous nine. By the end of the fourth quarter of fiscal 2009, the total number of iPhones sold since its introduction surpassed 30 million units. Apple, which three years before had been nothing, snagged 16 percent of the total market for smartphone sales worldwide in the fourth quarter of 2009, placing it as the third largest company in the business. Meanwhile, at Samsung, no one was popping champagne corks over the company’s smartphone sales. In that quarter, the company wasn’t even in the top five. In a report by I.D.C., an industry research firm, Samsung’s total smartphone sales were bundled under the category “Other.”

Galaxy Quest

Twenty-eight executives from Samsung’s mobile-communications division crowded into the Gold Conference Room on the 10th floor of the company’s headquarters. It was 9:40 A.M. on February 10, 2010, a Wednesday, and the meeting had been called to assess a near-crisis situation at Samsung. The company’s phones were losing favor, the user experience was poor, and the iPhone—after all those months of industry pooh-poohing—was blowing the doors off the barn. Samsung’s cell-phone business was strong, and it was continuing to churn out several designs every year. But the company was simply not competing with its smartphones, and Apple had now set a new direction for that business. According to an internal memo summarizing contemporaneous notes taken during the meeting, the head of the division took the floor. “[Our] quality isn’t good,” the memo quotes him as saying, “perhaps because the designers are chased along by our schedule as they get so many models done.”

Samsung was designing too many phones, the executive said, which simply didn’t make a lot of sense if the goal was to provide customers with top-notch equipment. “The path to improving Quality is to eliminate inefficient models and reduce the number of models overall,” he said. “Quantity isn’t what’s important, what’s important is putting on the market models with a high level of perfection, one to two Excellent ones….

“Influential figures outside the company come across the iPhone, and they point out that ‘Samsung is dozing off,’ ” the executive continued. “All this time, we’ve been paying all our attention to Nokia … yet when our [user experience] is compared to the unexpected competitor Apple’s iPhone, the difference is truly that of Heaven and Earth.”

Samsung was at a crossroads. “It’s a crisis of design,” the executive said.

Across Samsung, the message was heard: the company needed to come out with its own “iPhone”—something beautiful and easy to use with just that dollop of “cool”—and fast. Emergency teams were thrown together, and for three months designers and engineers worked under enormous pressure. For some employees, the work was so demanding they got only two to three hours of sleep a night.

By March 2, the company’s Product Engineering Team had completed a feature-by-feature analysis of the iPhone, comparing it to the Samsung smartphone under construction. The group assembled a 132-page report for their bosses, explaining in detail every way the Samsung phone fell short. A total of 126 instances were found where the Apple phone was better.

No feature was too small for comparison. A calculator image could be made bigger on the iPhone by rotating the device in any direction; not so with Samsung’s. On the iPhone, the calendar function for the day’s schedule was legible, the numbers on the image of the phone keypad were easy to see, ending a call was simple, the number of open Web pages was displayed on-screen, Wi-Fi connection was established on a single screen, new-e-mail notices were obvious, and so on. None of these were true for the Samsung phones, the engineers concluded.

Bit by bit, the new model for a Samsung smartphone began to look—and function—just like the iPhone. Icons on the home screen had similarly rounded corners, size, and false depth created by a reflective shine across the image. The icon for the phone function went from being a drawing of a keypad to a virtually identical reproduction of the iPhone’s image of a handset. The bezel with the rounded corners, the glass spreading out across the entire face of the phone, the home button at the bottom—all of it almost the same.

In fact, some industry executives worried about the similarities. Earlier, on February 15, a senior designer at Samsung told other employees about such observations from Google executives at a meeting with the Korean company—they suggested that changes be made in certain Galaxy devices, which they thought looked too much like Apple’s iPhone and iPad. The next day, a Samsung designer e-mailed others at the company about the Google comments. “Since it is too similar to Apple, make it noticeably different, starting with the front side,” the message said.

By late the following month, Samsung was ready to hold its own version of the Jobs press conference. On March 23, crowds at the Las Vegas Convention Center for the CTIA Wireless trade show gathered in the keynote hall. Lights bathed the stage in a sheet of blue as the attendees found their seats. Then J. K. Shin, the head of Samsung’s mobile-communications unit, came onto the stage. He spent some time talking about the new experiences expected by users of mobile phones—a not-too-subtle reference, it seemed, to the developments brought about by Apple.

“Of course, by now, you are probably thinking I must have a new device to show you that delivers all these new experiences,” Shin said. “And I do.”

He reached into the inside breast pocket of his jacket and brought out a phone. “Ladies and gentlemen, I present to you the Samsung Galaxy S!” Shin held up the device, displaying it for the applauding crowd.

Despite the previous month’s e-mail to change up the appearance of Samsung’s Galaxy products, it still looked almost identical to the iPhone. Except the name “Samsung” was emblazoned across the top.

‘We’ve been ripped off.

Christopher Stringer, one of the iPhone designers, looked at the Galaxy S in near disbelief. All that time, he thought, all that effort trying out hundreds of designs, experimenting with the size of the glass, drawing different icons and buttons, and then these guys at Samsung just take it?

But at the time Apple had a lot of balls in the air to distract its executives from their concerns about the Samsung phone. At a San Francisco press conference on January 27, Jobs had introduced the iPad—the tablet that his team had been developing before they put it aside to work on the iPhone—and the product was already selling like gangbusters.

But about a month after the Galaxy S reached the market overseas, Jobs began focusing on what he considered to be the Korean company’s theft of Apple’s ideas. He wanted to play hardball with Samsung’s top executives, but Tim Cook, his chief operating officer and soon-to-be successor, cautioned against being too aggressive just yet. After all, Samsung was one of Apple’s biggest suppliers of processors, display screens, and other items. Alienating it might put Apple in the position of losing parts it needed for its products—including some for the iPhone and the iPad.

But after Samsung’s brush-off led to the tense August 4 meeting in Seoul, Apple attorney Chip Lutton told Ahn that he expected a response from Samsung about Apple’s concerns. “Steve Jobs wants to hear back and wants to hear back quickly,” he said. “And please don’t give us a general thing on patents.”

The Apple team returned to Cupertino. Bruce Sewell, Apple’s general counsel, briefed Jobs on what had happened. But Jobs could barely contain himself as the wait for Samsung’s response wore on.

“Where are they?” Jobs asked Lutton repeatedly as weeks passed without a reply from Samsung. “How is that going?”

Without much progress, new meetings were set up—one in Cupertino, one in Washington, D.C., and one more in Seoul. At the Washington meeting, Apple’s lawyers broached the possibility of a resolution, telling the Samsung team that Jobs would be willing to make a licensing deal under which the Korean company would pay royalties on intellectual property that didn’t play a role in making the iPhone distinctive, and would stop using those patented designs and features that were distinctive.

Conversations eventually broke off, and Jobs grew increasingly eager to take Samsung to court and fight. Cook continued counseling patience, arguing that it would be better to have a negotiated resolution than to duke it out with a company of such importance to Apple’s business.

Then, in late March 2011, Samsung introduced its latest tablet computer, this time with a 10-inch screen. It struck Apple executives as a knockoff of the company’s second version of its tablet, and they weren’t surprised: Samsung had already proclaimed that it would change its own model to rival the iPad 2.

Cook’s caution was shoved aside. On April 15, 2011, the company filed a federal lawsuit in California against Samsung for infringing on the patents of both the iPhone and the iPad. Samsung was apparently ready for Apple’s attack—it countersued days later in Korea, Japan, Germany, and the U.S., alleging that the American company had violated Samsung patents related to mobile-communication technologies. Eventually, a variety of suits and motions were filed by the companies in Britain, France, Italy, Spain, Australia, and the Netherlands, as well as in a federal court in Delaware, and with the U.S. International Trade Commission in Washington, D.C.

Phone Tag

One day in March 2011, cars carrying investigators from Korea’s anti-trust regulator pulled up outside a Samsung facility in Suwon, about 25 miles south of Seoul. They were there ready to raid the building, looking for evidence of possible collusion between the company and wireless operators to fix the prices of mobile phones.

Before the investigators could get inside, security guards approached and refused to let them through the door. A standoff ensued, and the investigators called the police, who finally got them inside after a 30-minute delay. Curious about what had been happening in the plant as they cooled their heels outside, the officials seized video from internal security cameras. What they saw was almost beyond belief.

Upon getting word that investigators were outside, employees at the plant began destroying documents and switching computers, replacing the ones that were being used—and might have damaging material on them—with others.

A year later, Korean newspapers reported that the government had fined Samsung for obstructing the investigation at the facility. At the time, a legal team representing Apple was in Seoul to take depositions in the Samsung case, and they read about the standoff. From what they heard, one of the Samsung employees there had even swallowed documents before the investigators were allowed in. That certainly didn’t bode well for Apple’s case; how, the Apple lawyers said half-jokingly among themselves, could they possibly compete in a legal forum with employees who were so loyal to the company that they were willing to eat incriminating evidence?

By the time they headed to court, Apple had questioned a series of engineers and designers whose names were on Samsung patents. Each confirmed that, yes, they had developed the technical item that was the subject of the patent. But when asked to explain the details of what had been patented, some of the employees couldn’t.

Accusations of deceit and trickery spilled out into the courtroom. Apple submitted a document to the court showing side-by-side versions of the iPhone and Galaxy S; Samsung later showed that the image of the Galaxy S had been resized to make the phones appear even more similar than they already were. After confidential license agreements with Nokia were turned over by Apple in discovery, Samsung used the information in its own negotiations with Nokia—a big no-no.

There have been moments that bordered on the absurd. One of the patents invoked by Apple is a single-sentence claim with diagrams for a rectangular device with rounded corners—not any particular device, just the rectangle itself, the shape used for the iPad. But then that seeming silliness was practically demonstrated to be important by Samsung’s own lawyers when federal judge Lucy Koh held up the iPad and Galaxy Tab 10.1 and asked a Samsung lawyer if she could identify which was which.

“Not at this distance, your honor,” said the lawyer, Kathleen Sullivan, who was standing about 10 feet away.

No one can claim a total victory in the global litigation wars. In South Korea, a court ruled that Apple had infringed two Samsung patents, while Samsung had violated one of Apple’s. In Tokyo, a court rejected an Apple patent claim and ordered it to pay Samsung’s court costs. In Germany, a court ordered a direct sales ban on the Galaxy Tab 10.1, ruling that it too closely resembled Apple’s iPad 2. In Britain, a court ruled in favor of Samsung, declaring that its tablets were “not as cool” as the iPad, and unlikely to confuse consumers. A California jury found that Samsung had violated Apple patents for the iPhone and iPad, awarding more than a billion dollars in damages—an amount that the judge later ruled had been miscalculated by the jury. In the debate over setting the damages, a Samsung lawyer said they were not disputing that the company had indeed taken “some elements of Apple’s property.”

One person close to Apple said that the endless fighting has been a drain on the company, both emotionally and financially.

Meanwhile, as has happened with other cases where Samsung violated a company’s patents, it has continued to develop new and better phones throughout the litigation to the point where even some people who have worked with Apple say the Korean company is now a strong competitor on the technology and not just a copycat anymore.

Despite his role in propelling the lawsuits forward, Jobs, who died in 2011, by now might have looked at the scorched earth left behind by the litigation and followed his own advice about recognizing when it is time to move on. “I have looked in the mirror every morning and asked myself: ‘If today were the last day of my life, would I want to do what I am about to do today?’ ” Jobs said in a now famous commencement speech he gave at Stanford University, in 2005. “And whenever the answer has been ‘no’ for too many days in a row, I know I need to change something.”

After more than 1,000 days of litigation, hopefully one morning soon executives at Samsung and Apple will look at their reflection and, at long last, hit their limit of “no”s.

Tuesday, July 7, 2015

Premam Trivia

 

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Somewhere along the Chokkampatti Hills where Periyar starts

Some successes are meant to be, and so it is that ‘Premam’ has become the year’s biggest box office success, catapulting its lead actor NivinPauly into superstardom.

Years ago, when Priyardarshan’s ‘Kilukkam’ became the rage and sensation, an impromptu Ootty trip became a tribute to the movie as ten of us trekked down to every spot in the hill station where the film was shot.
It was 'film madness' at its heights that culminated in a group photo with Disco Shanthi (the then sex-siren), who was shooting with a big Telugu actor, whose name hardly rang a bell for us.

It is therefore with little surprise that I watch hordes of youngsters, a number of them couples or potentials, making a beeline for the aqueduct on which Premam’s superhit song ‘Aluvapuzhayude’ was shot.

For years, the aqueduct was the monstrous ‘good for nothing’ construction that people would curse for every woe. Its mere presence meant a hurdle in widening an increasingly busy road to Alangad (which in a way serves as a fascinating detour if you want to reach Kochi without being bogged down by highway traffic).

A number of stories circulate about the aqueduct, a part of the Periyar Valley Irrigation Project.
Built in the early 1970s, it is described as "an abandoned project, after an engineering design made it flawed and unworkable" in the quest to bring the ‘dead water’ of Periyar river, which has been sucked out of its electricity and lies still as death in the Bhoothathankettu reservoir, to the lower reaches of Ernakulam district. Oldtimers recall how the nearly 12 ft piling (almost the height of the aqueduct) cracked up homes in the vicinity.

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The dead water sucked of power carried downstream for irrigation

There has always been a magical charm to the story of Periyar, and in earlier adventures to trace it back to source, a road-trip had taken us to what we believe is the slope of the Chokkampatti hills on the Western Ghats from where it starts as a trickle.

The river makes two significant diversions at the point where it meets the famed Aluva Shivarathri temple.
Gone are the sandy beds of the river now but the reverence you feel for the temple, where a stone idol submerges under river water every monsoon, is palpable.
If surreal is the right word, you feel that here. Under fading sunlight and a starlit sky, you can watch trains ply over a distant bridge and live a similar ambience that MT Vasudevan Nair so vividly describes about his own favourite river, the Nila.

Here at the once-sandy river bed, thousands also congregate to bid goodbye to their dear and departed, and come every year for annual tributes.

Where it begins

Where it begins

It could be that the deathly pangs of the mortals and their quest for heavenly salvation  become so unbearable the river divides into two here.
One stream heads down to Mangalapuzha to join Chalakudy river and end in Lakshadweep Sea at Munambam. The other under the now 75-year-old Marthandavarma Bridge and drain into the Arabian Sea at Varappuzha.

And our story starts, rather becomes relevant, with this second branch of the river.

An intricate network of canals and aqueducts, in fact, had been envisaged as part of the massive World Bank funded project; you can see them through the road-trip to Perumbavoor and Kothamangalam. But things get a bit murky when it reaches Aluva.

According to a few old-timers, an underground canal that carries the ‘dead water’ ends near the Aluva fish market, where the ‘Premam Aqueduct’ marks its start. Here the water rises up and continues its journey through the aqueduct for irrigating land further down. Or so, they say. They vouch that the aqueduct is not so useless as it seems and it irrigates farmlands as far away as Koonammavu.

Others claim that no water has passed through it since their early memory, and it is an engineering debacle that profited an ‘engineer from Kottayam’ and the mismanagement was summarily buried by the media. Well, this is all unverified.

What we can, however, see today is an entry point to the aqueduct that is typically messy. The stench from the market is perhaps the first thing that greets you.'

Marthandavarma Bridge beyond

View of the Marthandavarma Bridge from the aqueduct

Realty developers have cashed in on the prospects and you have a number of high rises with ‘river views,’ one right at the start of the aqueduct.

Its first lap gives you a glimpse of Kunjunnikara island, which is home to the famous Uliyanoor Temple associated with Perumthachan.
Ha, the magic of folklore. His envy at his own son outsmarting him in temple architecture led to the man ‘killing’ the youngster, a story reinterpreted with such dignity by MT and enacted with finesse by Thilakan.

The premam brigade 2

The 'Premam' brigade

People fish in Periyar from the aqueduct, and you can now see a steady flow of youngsters in bicycles and bikes on traverse it trying to relive the ‘Premam’ moments.

Walk past the first part, right over Periyar River, watch it take a detour, and you enter land lined by homes. It is almost as if the river just disappears.
Agriculture has long given way to patches of wasteland where buffalos enjoy symbiotic moments with black crows. Rows of nutmeg trees line the path, apart from dead, dying and some fruity coconut trees. As if to remind us of Kerala’s one-time misadventure with cocoa farming, there are a few of them too.

At several points the railings have given way totally leaving wide, danger-prone holes. You also pass exit points to the mainland before you hit the second patch of the aqueduct (the real Premam one) that passes over Periyar again and overlooks the Marthandavarma bridge.

Ending into a ditch

Where it ends

No matter the decay around, the views from here are majestic. Youngsters in packs celebrate ‘selfie’ moments for Facebook posts. The turn where the hero meets with the heroine's dad is postcard perfect with bamboos and verdant green trees.
The aqueduct, however, doesn’t end here. You walk on, and what you see is a microcosm of Kerala – palatial houses that flaunt Gulf and US expat money, small dwellings, dilapidated lamp posts, wastelands of green, marshes and water canals that are still needed to meet daily needs.

It is no more than a 45-minute walk, picturesque at best, before the aqueduct ends as abruptly as it begins.
There is nothing but a ditch, overgrown with vegetation that marks the endpoint. A few steps down the aqueduct and you reach the North Parur road, right by the historic UC College.

Right now, the innard of the aqueduct isbrimming with water – is it from Bhoothathankettu or from the heavy monsoon rains is hard to tell.

When water flows, the aqueduct 'leaks' with the water trickling down to the roads to deepen the potholes. In summer, it still serves as an easy conduit to walk from UC College to the Aluva market.

View from the end

 

 

 

Alphonse Puthren. The name itself is novel. Just like Premam, the name of its director too grabbed eyeballs.

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But come home to the Manjooran house here at Aluva Kalathil Lane, ‘Puthren’ (son) becomes father, and the son becomes Alphonse. Here, there is a ‘Puthri’ (daughter) too – Alphonse’s sister, Dr. Puthri Puthren.

Alphonse was baptized as Alphonse Joseph Paul. But when he was admitted to L.K.G in Ootty, his name was changed to Alphonse Puthren. Alphonse’s father’s name was Puthren Paul, and it was Alphonse’s grandfather, M.C. Paul, who gave this unique name to his son. Yes, there is a story behind that too!

Paul was working at a coffee house in Mumbai during the Second World War, and that is when the story begins. A guy named ‘Puthren’, who hailed from Andhra Pradesh used to work in the coffee shop where Paul worked. One day, he went to one of the ships to give coffee, and he was killed in a bomb blast there. Paul was deeply hurt by that incident. That is how Paul decided to name his next son ‘Puthren’.

As for ‘Puthren’, he decided to lovingly call his daughter ‘Puthri’. If his dad could call him ‘Puthren’, then why not call his own daughter ‘Puthri’?! This is what Puthren thought. Today, Puthri is a dentist and is settled in the U.K with her husband Raphy Paul.

The name Alphonse is the contribution of his mom Daisy who decided to name her son after Saint Alphonsa. Daisy, who had two lovely daughters, prayed for a son when she was pregnant for the third time.

Daisy was three months pregnant when she visited the famous Bharananganam Church to pray for a boy. As she pressed her head on the holy bed of the St. Alphonsa, a breeze passed by her. It seems the breeze told her that she was going to have a boy!

Alphonse was born on February 10, the same day when Saint Chavara was born. It is believed that Saint Chavara came in Saint Alphonse’s dream and cured her illness. Daisy found it a miracle that her son was also born on the same auspicious date. Alphonse has another sister named Mary. She lives with her husband Bejoy in Qatar.

The director of Premam has always been media shy. Unmoved by the brouhaha over his movie, this guy still takes a rickshaw to commute around. Even though he has done two blockbuster movies, Neram andPremam, his interviews have not come out much in the media. He also stays away from the promotions of the film. But the residents of Aluva are not surprised by this. That is how Alphonse is. He loves to travel in an auto than in an AC car!

Alphonse was obsessed about cinema from childhood. That is how he left to Chennai to pursue studies in digital film making. Alphonse has never assisted anyone, and yet took Neram that topped charts. He directed a music album named Yuvvh before Neram. Alphonse believes that the fate of a film is determined by its screenplay, rather than the story.

Due to their hard-core love for cinema, Alphonse and his family would go for movies every week. Daisy used to be a good critic and after watching a movie, she would imagine how the plot-line could have been changed for better.

During her school days, Daisy has won the first prize in a story writing competition held by a bunch of film-makers. But later, she left writing and ventured out to be a beautician. Apparently, Daisy is the first beauty parlour owner in Aluva. She had run a beauty parlour in Kochi also for some time. The first gent’s beauty parlour in Kochi was started by Alphonse's father, Puthren Paul. It was called ‘Gents Beauty Parlour’, and was located at Ammankovil Road. Puthren, who used to work at Premier Tyres in Aluva, had a parlour in TAS road at Aluva as well. Both Puthren and Daisy had completed their beautician course from Singapore.

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Alphonse prefers English over Malayalam to write his script and screenplay. The reason being his fluency in the language of course, as he studied in Ootty from L.K.G to sixth standard. He completed his B.Sc in Computer Science from MES College in Marampally before leaving to Chennai for film studies. Most of his close friends from college are seen in his two films.

Alphonse, Nivin, and their bunch of friends used to visit ‘Gopu’s Sarbath Shop’ that was located near Aluva Palace. The shop is shown in ‘Premam’ -- the one where the guys come and ask for Kus Kus in order to cool their soda. It is shown as ‘Gopus Cool Bar’ in the film, and is located at the junction near actor Dileep’s house. Gopu, who runs the real shop, is shown as Unni, who runs the shop in the movie. But the shop shown in the movie is not real. It is a set that was put at Uliyannoor, a small village near Aluva.

After Premam became a hit, the number of youngsters who throng Gopu’s shop has risen. Their latest marketing technique is ‘Premam’ sarbath that is available in the shop, and for that, they have stuck a poster saying the same!

Alphonse, who strongly believes that a film is a director’s complete responsibility, does not let anyone interfere in it. Not even the producer! He is very strict at the film location. After completing his film studies from Chennai, he wrote the script and screenplay for Neram, and waited for seven long years for a producer.

Premam is undoubtedly Aluva’s own film. The pulse is felt not just in the song Aluva Puzhayude Theerathu. Many youngsters from Aluva have been part of this film. Nivin, Anend Chandran who is the cinematographer, Alphonse, Jude Anthany Joseph, who is also a director, Sabareesh Varma who has penned down the songs, Krishnachandran, Saraf and Siju who comes as Nivin’s friends on-screen, are some of the prominent Aluvites who were part of the movie.

 

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Alphonse Puthren lights a lamp during the film puja of 'Premam'. Producer Anwar Rasheed, Actors Dulquer Salmaan, Fahadh Faasil and Nivin Pauly look on.

Jude and Alphonse were classmates at Paravoor St. Aloysius High School. Sabareesh and Alphonse are friends from MES College. Nivin, Siju and Alphonse belong to the same church. The story and screenplay for Premam was done in a small house near U.C. College in Aluva. The main locations for the film were Uliyannoor and U.C College, and both were very close.

Most of the actors in the film are their friends from ‘Gopus Cool Bar Association’! In the film, Alphonse has added an incident that he has heard from his mother Daisy. But his mom came to know about this only after watching the movie. In the movie, Nivin’s house is shown as ‘Kalaparambath’, and that is for real. Alphonse’s mother Daisy also belongs to the same family. It is popularly called as Karumaloor Kalaparambath.

Wednesday, May 20, 2015

A Relevant Tale: How Google Killed Inktomi

 

 

 

On March 20th, 2000 Inktomi had a market capitalization of 25 billion dollars. As a relatively early employee, I was a multimillionaire on paper. Life was good. In the next year and a half the stock went down by 99.9%. In the end, Inktomi was acquired by Yahoo for 250M. What happened? Among other things, Google. Grab some popcorn and enjoy this story.

Inktomi was the #1 search engine in the world for a while. When I joined we had just won the Yahoo contract, and were serving search results for HotBot (there is still a search page there!) At first I worked on developing crawling and indexing tools written in C++. Our main goal at the time was to grow our index size, and at the same time to improve relevance. It became clear that as our document base grew, relevance would play a more important role. For ten million documents you may be able to filter out all but a handful of documents with a few well-chosen keywords. In that case any relevance algorithm would do; your desired result would be present in the one and only result page. You wouldn’t miss it. For a billion documents however, the handful would become hundreds or thousands. Without a good relevance algorithm, your desired result might be on page 17. You’d give up before getting to it.

At first we were using a classic tf-idf based model, enhanced by emphasizing certain features of pages or urls that correlated with “goodness.” For example, yahoo.com is probably more relevant to the query yahoo than yahoo.com/some/deep/page.html. We thought shorter urls were better. Of course this query was very popular, so spammers started creating pages stuffed with the word Yahoo. This was the beginning of an arms race that continues today. Back then we were the main target because we processed more searches than anyone else.

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Enter The Google

Yahoo had been complaining to us about not being result #1 for yahoo for a while. We fixed that special case, but we couldn’t do the same for many other sites or pages. In 1999 Google was gaining popularity because they were solving exactly this problem. We didn’t perceive them as a threat yet, but we did realize that we had to do our own version of PageRank. I was assigned to that task.

My small contribution to improving our relevance was coming up with a simple formula to take into account the occurrences of words in links pointing to pages. The insight was realizing that this followed a power law: at the time Yahoo.com had about 1M instances of the word yahoo in links pointing to it. Nobody else came close. Other Yahoo properties had an order of magnitude less, and then came a long tail of other sites. I decided to use the logarithm of the count as a boost for the word in the document. This wasn’t as sophisticated as PageRank (we’d get to that later), but it was a huge improvement. Our relevance got much better over time as other people spent countless hours implementing our own link analysis algorithms. We had a clear mandate from the execs; our priorities at search were:

1) relevance

2) relevance

3) relevance

Doug Cook built a tool to quickly measure the relevance effects of algorithmic changes based on precomputed human judgments. For example: it was clear that Yahoo.com was the definitive result for the query “yahoo” so it would score a 10. Other Yahoo pages would be ok (perhaps a 5 or  6). Irrelevant pages stuffed with Yahoo-related keywords would be spam, and humans would give them a negative score if they showed up for that query. Given ten results and a query, we could instantly evaluate the goodness of the results based on the human rankings.

We had a sample corpus of links and queries for which we could run this test as often as we wanted, and compare ourselves against Google. We did this for months until it became clear that we were “as good as Google.” Our executives were happy.

Relevance Is Only So Relevant

I thought about why I was using Google myself, and I’m sure it’s obvious to everyone now: theexperience was superior.

  • Inktomi didn’t control the front-end. We provided results via our API to our customers. This caused latency. In contrast, Google controlled the rendering speed of their results.
  • Inktomi didn’t have snippets or caching. Our execs claimed that we didn’t need caching because our crawling cycle was much shorter than Google’s. Instead of snippets, we had algorithmically-generated abstracts. Those abstracts were useless when you were looking for something like new ipad screen resolution. An abstract wouldn’t let you see that it’s 2048×1536, you’d have to click a result.

In short, Google had realized that a search engine wasn’t about finding ten links for you to click on. It was about satisfying a need for information. For us engineers who spent our day thinking about search, this was obvious. Unfortunately, we were unable to sell this to our executives. Doug built a clutter-free UI for internal use, but our execs didn’t want to build a destination search engine to compete with our customers. I still have an email in which I outlined a proposal to build a snippets and caching cluster, which was nixed because of costs.

Are there any lessons to be learned from this? For one, if you work at a company where everyone wants to use a competitor’s product instead of its own, be very worried. If I were an executive at such a company I would follow Yoda’s advice: “Do or do not. There is no try.” If you’re not willing to put in the effort to compete, you might as well cut your losses (like Google did with Buzz, for example).

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Monday, May 18, 2015

A Primer On Fountain Pens

 

Power of Words

“To sit at one’s table on a sunny morning, with four clear hours of uninterruptible security, plenty of nice white paper, and a [fountain] pen — that is true happiness.” –Winston Churchill

Taking a break from click-clacking away at one’s keyboard to write something out by hand — a thank you note, a journal entry, a page of copywork — is a uniquely pleasurable activity.

And there are a few things one can do to heighten this pleasure, and its feeling of ritual.

One is applying your writing utensil to a handsome journal or quality stationery.

Another is improving your handwriting.

And then there’s using a fountain pen.

Putting aside one’s ballpoint and picking up a fountain pen is akin to making the switch from shaving with a cartridge razor to using a safety or straight razor. The nature of the tool requires more skill and attention on your part, but the experience is richer and the result sharper.

If you’ve always wanted to see what it’s like to literally get the ink flowing, this article offers an accessible primer on the basics you need to know to get started.

A Brief History of Fountain Pens

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While the earliest record of a fountain-like pen dates from the 10th century, fountain pens as we know them today didn’t exist until the late 19th century. In 1884, an American named Lewis Waterman patented the first practical model after supposedly having a sales contract ruined by a leaky precursor. Before Waterman’s version, fountain pens were plagued with ink spills and blots, and were unreliable and inconvenient.

The main problem of earlier fountain pens centered on airflow — there wasn’t enough. Fountain pens work by managing the rate at which the ink flows through the pen. When the pen is held at an upright angle, ink from the reservoir is drawn downward by gravity, and goes through the feed and to the nib in a controlled fashion. Unless air is brought into the reservoir to replace the ink as it is used, a vacuum will build up that stops the flow.

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Waterman solved this airflow issue by cutting a series of three fissures in the pen’s feed. This created a capillary-esque mechanism that functioned by drawing ink into these small channels at the same time that air came back in over the fissures and entered the reservoir. The modern fountain pen was born.

Though Waterman’s innovation made fountain pens much more effective and convenient to write with, filling the pen remained a messy and tedious affair. You had to unscrew a portion of the barrel and use an eyedropper to fill the reservoir drop by drop. At the turn of the 20th century, companies began introducing self-filling reservoirs that allowed users to put the nib in the inkbottle and fill the reservoir by pulling a lever or twisting the barrel.

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Despite the introduction of the ballpoint pen in the early 1900s, fountain pens maintained their dominance as the go-to writing instrument up until the mid-point of the century. It was not until the 1960s, when the ballpoint pen’s reliability increased, and its price decreased, that fountain pen sales began their long and steady decline in the United States. While they’re still widely used by students in private schools in England and the rest of Europe, in America the fountain pen is largely seen as more of a collector’s item, a status symbol, or the focus of a twee hobby. However, thanks to the internet’s ability to connect enthusiasts, the fountain pen has seen something of a resurgence in the U.S. Today you can find countless forums and blogs dedicated to the virtues of this classic writing instrument.

Why Write With a Fountain Pen

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Think you might like to branch out from your ballpoint? Here are a few reasons to give fountain pens a try:

It feels better. Because you don’t have to press down as hard to write as you do with a ballpoint pen, writing with the fountain variety is much easier on the hand. It allows for extended periods of writing without fatigue. It’s easier to get in the flow, when using something that truly flows.

It’s better for the environment. With a ballpoint pen, once you use up all the ink, you toss it into the trash. While you can buy disposable fountain pens, most fountain pens aren’t meant to be thrown away. When you run out of ink, just refill the reservoir and you’re back in business.

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More economical in the long run. I don’t want to think about the amount of money I’ve thrown away or lost in the form of half-used ballpoint pens. Because of their disposable nature, I’m pretty careless with them. If I lose one, oh well, I can buy a whole new pack of ‘em.

There’s something about a fountain pen that inspires you to take care of it. The hefty price tag of some models certainly has something to do with that. But the fountain pen’s storied tradition provides an aura of timelessness and permanence that encourages the owner to safeguard it; it may even become a family heirloom.

The result is that, besides the initial investment of the pen, the only recurring expense you’ll accrue is just buying more ink every now and then. Consequently, you save money in the long run with a fountain pen compared to a ballpoint.

It makes cursive handwriting look better. Besides reducing fatigue, the light touch and flowing hand movements that are necessitated by a fountain pen make your handwriting look better.

It makes you feel like a sir. I’ll admit it — one of the appeals of writing with a fountain pen is that it just makes you feel awesome. There’s something about writing with the same implement that Teddy Roosevelt and Winston Churchill used that makes you feel like a true gentleman and scholar.

The Anatomy of a Fountain Pen

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The fountain pen’s design is sophisticatedly simple. It consists of three main parts: the nib, the feed, and the filling system.

Nibs

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Notice the slit down the middle and the breather hole.

The nib is the metal tip of the fountain pen that touches the paper. Early fountain pen nibs were fashioned from gold due to the element’s flexibility and resistance to corrosion. However, most modern nibs are made with stainless steel or gold alloys because of their strength and durability.

If a nib is made from pure gold, it’s usually tipped with a hard-wearing metal like iridium or some metal from the platinum family. Steel nibs already have a hard tip, so tipping them with another metal isn’t necessary.

Along the center of the nib runs a small slit that helps bring ink down the tip by way of the aforementioned capillary action. You’ll also find a “breather hole” bored into the top of the nib to help bring air back into the reservoir to prevent a vacuum from forming. The breather hole also serves a structural purpose by acting as a stress-relieving point, which helps prevent the nib from cracking with the repeated flexing that occurs during use.

Nibs come in varying tip shapes and grades. The three basic shapes are round, stub, and italic. Round is the most common shape and provides a fairly uniform-looking line on the paper. Stub and italic nibs are typically used in calligraphy.

Nib grades designate the size of the tip. Five basic grades exist: extra fine (XF), fine (F), medium (M), broad (B), and double broad (BB). The most common nib grades are fine and extra fine.

Feeds

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Part of the feed hugging the bottom of the nib.

The feed is the piece of black plastic (or ebonite on antique pens) that hugs the bottom of the nib. It might not look like it, but the feed is the most important part of a fountain pen. It provides the route by which ink travels from the reservoir to the nib, and by which air fills the reservoir.

Ever since Waterman patented his feed design in 1884, pen makers have strived to create better and more efficient feeds. In 1941, the Parker Company introduced one of the most notable upgrades by adding a “collector” to the feed. On modern fountain pens, the collector is a visible set of grooves or fins just beneath the nib. The collector acts as a second reservoir and keeps the nib well supplied with ink while also preventing too much ink from flowing out at once.

Reservoir or Filling Systems

The reservoir is the cavity inside the fountain pen that holds the ink. This part has seen the most innovations over the course of the pen’s evolution. We could devote an entire article to the various types of reservoirs and filling systems that you can find on antique fountain pens, but for the purposes of this article, we’ll stick to the most common ones you’ll find in modern models:

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Cartridge. This is the most common type of reservoir in fountain pens today. A cartridge is a small, sealed disposable plastic tube that holds the fountain pen ink. When a cartridge runs out of ink, you simply remove the old cartridge and put in a new one. The main benefit of cartridge reservoirs is the convenience. The downside is that you often have to rely on the propriety cartridge made for your particular pen. Consequently, your choices of ink will be more limited. Also, there’s the cost factor. While cartridges aren’t too expensive, refilling your pen yourself can save you money in the long run.

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Converter. If you don’t like the idea of having to buy new cartridges every time you run out of ink, consider buying a cartridge converter for your fountain pen. A cartridge converter looks pretty much like a cartridge and can fit most cartridge pens, but it has a filling mechanism that allows you to refill it with ink whenever you run out. The upside is that you open yourself up to a variety of inks to use, the downside is convenience; while it’s not hard to fill your cartridge converter, it’s certainly more of a hassle than simply throwing away an old cartridge and installing a new one. Here’s how to fill a cartridge converter.

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Piston. This filling system relies on a screw mechanism that draws a piston up the barrel, sucking in ink through the nib and into the reservoir. It’s basically a built-in converter. The only downside (if you can call it a downside) on a pen with a piston filling mechanism, is that you’ll never be able to use cartridges with it. You have to fill it up manually every single time. Here’s how to fill a piston style pen.

Best Fountain Pens for Beginners

If want to give fountain pens a try, but aren’t ready to drop $100 for a fancy pen, consider trying the following three models:

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Varsity Fountain Pen by Pilot. These are disposable, so you’re not going to get the “true” fountain pen experience with them. But at $8 for a pack of three, it’s a great way to give fountain pens a try without much investment. The big downside I’ve found is that the ink feathers on most types of paper, causing my handwriting to sometimes become less legible.

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Lamy Safari. After lurking on several fountain pen forums and polling the aficionados among my Twitter followers, it became clear that the Lamy Safari was hands down the most recommend fountain pen for beginners. With a ~$20 price tag, it’s a great reusable/refillable fountain pen for the man just getting started.

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Pilot Metropolitan. Right behind the chorus of recommendations for the Lamy Safari was the Pilot Metropolitan. It’s a sharp looking pen that writes well and costs a mere $15.

How to Write With a Fountain Pen

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Post your cap (or not). Posting your cap means putting the cap on the end of your pen while you’re writing. The pen usually feels more balanced in the hand when you have it posted. Of course, some folks prefer to write with the cap set aside. Experiment and find what works for you.

Hold it at the correct angle. The pen should make a 40 to 55-degree angle with your writing surface. A fountain pen’s “sweet spot” is usually in this range, as ink flows more easily at these angles. The exception is a pen with a round nib; in this case, you want the nib’s top to point straight up and not be rotated to either side.

Use less pressure. You don’t need to press down to get the ink to flow like you do with a ballpoint pen. In fact, too much pressure can prevent the ink from flowing properly or can damage the nib. Keep your strokes light.

Use your arm. Most people are “finger writers,” meaning that they just move their fingers to write. Finger writing has a tendency to cause you to apply too much pressure to the pen, which rotates it and in turn causes ink flow problems. Instead, focus on using your shoulder and arm more while you’re writing. It will feel weird at first, but this style of writing keeps your nib steady and helps reduce the pressure on it.

How to Take Care of Your Fountain Pen

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Always keep your pen’s cap on when not in use.

Keep the cap on when the pen is not in use.This prevents the ink on your nib from drying up and protects the nib from damage. If you do happen to leave your pen uncapped and find that the ink has dried up, you’ll need to remove the dried ink that’s blocking the flow. Soaking the nib with water can often do the trick. If that doesn’t work, consider doing a complete flush of your pen — repeatedly filling it and emptying it with cool water.

Don’t let others borrow your pen. As you use your pen, the nib will adapt to your writing style. If you let someone else borrow it for extended periods and apply their own style to it, the nib can get out of whack. If they just need to sign something, let them borrow it; it’s a gentlemanly gesture. If they need to write an essay, lend them a cheap-o ballpoint.

Give your pen a regular flush. It’s recommended that you give your fountain pen a flush once a month. It ensures proper ink flow by removing any build-up in the nib or feed. Here’s how you do it.

In addition to flushing, you might consider soaking your nib in a cup of cool water overnight to remove any stubborn ink build-up.

Becoming a Fountain Pen Aficionado

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This post just scratched (see what I did there?) the surface of the fountain pen world. We didn’t even get into antique fountain pens. Hopefully, a true fountain pen aficionado will be up for writing that article for us. (Nudge, nudge.) If you want to learn more about fountain pens, I highly recommend you check out the following sources:

Richardspens.com. This is THE source on fountain pens on the web. I spent hours just reading through the in-depth articles he has on every aspect of fountain pens. This site is a must-read for anyone wanting to learn more about them.

The Fountain Pen Network. A forum dedicated to fountain pens. The folks there are super helpful with beginners, so if you have a question, ask. They also have lists of groups, meetings and events dedicated to fountain penning (yeah, I just used fountain pen as a verb), as well as a marketplace where you can buy or trade new fountain pens.

Fountain Pen Board. A smaller, more tight-knit forum than Fountain Pen Network. Ask questions or buy or sell your antique fountain pens.

Fountain Pen Geeks. Another fountain pen forum with an accompanying podcast (which looks like it’s been shut down, but has plenty of great archived episodes).